MEN WITH MUGS
thursdayfilecoffee:

Coffee Moment - James Rebhorn with his coffee, paper and cell

thursdayfilecoffee:

Coffee Moment - James Rebhorn with his coffee, paper and cell

maybeoverhere:

for Playgirl Magazine

amospoe:

"Sexiness wears thin after a while and beauty fades, but to be married to a man who makes you laugh every day, ah, now that’s a real treat."
—— Joanne Woodward
 

amospoe:

"Sexiness wears thin after a while and beauty fades, but to be married to a man who makes you laugh every day, ah, now that’s a real treat."

—— Joanne Woodward

 

wandrlust:

Seberg’s first day of work on A bout de souffle (Breathless) with Belmondo and Godard, at a cafe on the Champs-Elysees, August 24, 1959Raymond Cauchetier

Jean-Paul Belmondo had already been working on the film for a week, and was now used to Jean-Luc Godard’s unconventional methods. However, Seberg was used to the large-scale productions of Otto Preminger, with whom she worked on Saint Joan (1957) and Bonjour Tristesse (1958), where she was surrounded by an army of technicians, assistants and cameras, with each second of the script kept rigidly.

Seberg now found herself virtually alone with Jean-Luc Godard in a cafe on the Champs-Elysees, with no script or prior direction. Godard kept a small notebook in which he noted some vague ideas, but not a word of the dialogue, which he was to impart during shooting.

filmsdulosange:

La Vérité, Henri-Georges Clouzot, 1960

filmsdulosange:

La Vérité, Henri-Georges Clouzot, 1960

weepling:

Jean-Pierre Léaud, année 1962.

weepling:

Jean-Pierre Léaud, année 1962.